And I would like to add that it was the kingdoms of Castile and Leon that refugeed all the jews that were expelled from Andalus under the Almohad Caliphate. It is true that there were lots of jews in Al-Andalus at the start but after the Almoravid and Almohad dynasties took over they were mostly expelled or murdered. That's why nowadays we find more Sephardic DNA and surnames in the territories that did belong to the Crown of Castile and the Kingdom of Leon than in Andalusia. In fact most people at Galicia, Asturias, Leon and Extremadura (all the territories that did belong to the Kingdom of Leon) have some degree of converso blood.
The christian barbarians destroyed what was probably the greatest civilization of the middle ages almost equal in greatness to ancient Greece.
It was also a lie that it was full of niggers and arabs. Most of the visigoths (like 5 million out of 7 million at the peninsula) converted to islam, they were called muladis it was after all the visigoths themselves who let the moors in, it was during a civil war against the king Rodrigo. The visigoths were also were accepting of Islam at first because they said it was very similar to Arrianism which was their religion (a bishop of Toledo mentions this when he says people at the peninsula were noticing the expansion of a new religion similar to Arrianism in North Africa and it was being welcomed by the population because of this). The arabs were a very small minority which was quickly dethroned and even so many of those "arabs" were actually people of vandal origin which were expelled from the peninsula by the visigoths to North Africa and the Levant, later they returned. That's why it was called Al-Andalus, arabic adaptation of the tamazight term Wandalus which means "Land of the Vandals". A lot of those "arabs" were also of Syrian-Persian descent (ancient Persians are literally Aryans, there is a reason Persia is called Iran too which means "Land of the Aryans"). We also must not forget that the moors who invaded the peninsula under Tariq Ibn Zayid were Berbers which are white, even today we can find at the Rif, Kabylia or the Canary Islands lots of people of Berber descent with blonde hair and blue eyes with very pale skin. There were also slavic people who were imported as slaves into the peninsula (Saqaliba) and later they got their freedom by converting to Islam and became local rulers (they ruled the taifas of Valencia). And there were many caliphs of Basque descent since the Basques were natural allies of the invading Moors because both were enemies of the Visigoth kingdom of Toledo and the Basques gave their women to the caliphs as tribute. Abd al-Rahman III was red haired and blue-eyed of almost pure Basque descent (his father was of Basque descent and his grandfather too), so were his descendants who also married Basque women just like he did to the point that Hisham II was 99% Basque. The first emir of Cordoba which was Abd al-Rahman I was blonde haired and blue eyed and he was of Berber descent (from the tribe of Nafza). Even when the last remnants of Al-Andalus perished it was still ruled by people of white descent, the first sultan of the Nazari Sultanate of Granada was Muhammad Ibn Nasr also called "Ibn Al-Ahmar" which means "The Red One" because of his hair and the last sultan of Granada which was Boabdil was also described as blonde, tall, pale and with very light eyes. We only need to look at the few portraits of the Andalus era that do exist to see that the Muslims were mostly tall, pale with blonde or red hair and blue eyes. Even the christians of the north looked swarthy in comparison to the so-called "Africans and Arabs". The moorish people that were expelled from Spain and landed in Tunisia were described by the Ottomans as pale with blonde hair and blue eyes which surprised them. Even today we find whiter people in the zones of Andalusia which were the last ones to perish to the christian invasion like Granada or Murcia than in Asturias the so-called "last bastion of European Christendom" (I've seen Asturians, they are swarthy brownoids larping as Celtic). The reason of the swarthy brown people in the peninsula nowadays is because of the black people which were enslaved by the Almoravid and Almohad empires on their expansion in West Africa, these slaves are known as "haratins", "ikelan" or "gnawa" by the Berbers and by the christian they were known as the "black Moors" and of course some reached the peninsula during these empires. There is also the admixture with Sephardic Jews and of course a couple Arabs (they were a very small minority which became marginated as the time passed but there were some orientaloid phenotypes here and there) which is responsible of the semitic appearance of many modern Spaniards. And of course we can't forget about Gypsies which landed on Spain shortly after the Reconquista.
The lie that Andalus was a subhuman civilization of swarthy arabs of the desert and black africans is just propaganda from butthurt christcucks who want to justify the ruthless destruction of one of the greatest civilizations of the ancient world and also from niggers and brownies who want to appropiate everything glorious of the ancient past.
It is funny to see so much "neo-nazi" glorifying the Reconquista when Hitler himself recognized Spain was at its true peak of civilization under Andalus. Cordoba was the capital of the sciences, philosophy, mathematics, astronomy, astrology, history, poetry, music, esoterism, magic, wisdom, etc. We are in many debt to the Moors of Al-Andalus, for if it weren't for them that saved the knowledge and the classics of the ancient masters of Greece while the crazy christians with their inquisition burned down it all, we would still live in the dark age! We literally have paper and writing nowadays thanks to them. The barbarian christians, by destroying the ancient civilization of Andalus, destroyed civilization not only once (by destroying the ancient Hellenic world) but also twice! It makes me feel so angry!
6 messages omitted.
1492-1512 were horrible times for humanity.
The discovery and conquest of the Americas, completion of the conquest of the Canary Islands, fall of the Sultanate of Granada (destruction of Al-Andalus and completion of the reconquista), conquest of the Kingdom of Navarre (subjugation of the proud Basque people), Spanish inquisition and its ruthless persecutions.....
And they teach all of this in Spanish schools as the peak of Spanish history and civilization........ More like the peak of Spanish psychopathy. Fucking bloody barbarians. Spain Is a fake country made through bloodbaths and the destruction of more advanced civilizations. I hope they disappear one day. All my support to Catalunya so that shithole starts breaking one by one like Yugoslavia.
If Fugging Fantasy VI boss theme were published on its own as a metal song, how well do you think it would fare?
Rock Identitaire Français (RIF) was a musical movement of French Identitarians supported by various organizations close to nationalist movements in the Francosphere. Music from these movements is commonly referred to as Identity Rock.
The backbone of the first wave of Identitarian bands were Vae Victis and Île de France. Both bands' founding members Jean-Christophe Bru and Fabrice Lauffenburger were veterans of the French skinhead scene with their first musical foray being Ultime Assaut. Their music was typical for the French Oi! scene with the added twist of Post-Punk influences which were decidedly less common in the worldwide Rock Against Communism (RAC) scene. Although Ultime Assaut disbanded in 1992, Jean-Christophe and Fabrice Lauffenburger were far from finished.
In 1993, Jean-Christophe and Fabrice formed Vae Victis during their time as undergraduates, recruiting bassist Cathie Mollius and drummer Thibaud Lamy. Vae Victis was a firebrand Identitarian band whose members had ties to the French Third Position organization Nouvelle Résistance. Later on, the band would recruit Carine who would become their female lead singer and serve as an instrumental part of the band's identity:
In an interview with Tribune Musicale, Jean-Christophe stated that Vae Victis's aim was to bridge their ideological convictions with their passion for music. "We have always been fascinated by Alternative Rock bands from the 1980s. Despite the fact that the message they carried was [far from ours], we always considered their approach sincere and honest. In the face of the musical desert that has formed on the Nationalist scene, we wanted to create a new style that brings together musicians who could identify with the rebellious energy of Berurier Noir."
Lyrically speaking, RIF bands eschewed the racial political of the French RAC scene in favor of their identity as Frenchmen in the face of financialization of European society and the effects of globalization. They also were concerned with their identity as Frenchmen. Vae Victis would openly demonstrate their commitment to Catholicism and sing the heroes of the Paris Commune of 1871 as in the song "La Commune" which would later be famously covered by Peste Noire:
Around March 1995, Jean-Christophe and Cathie would leave Vae Victis and form the other most identifiable RIF band: Île de France (IDF).
IDF was probably the RIF band that most clearly paid tribute to the 1980s Alternative Rock scene both in sound and politically as well. Indeed, much of their music fiercely criticized capitalism and liberalism in general much more than any other band in their scene. Each release would contain several critiques of liberal society detailing the lengths to which capitalism has irreparably warped human relations. Taking on the sound of such bands as La Souris Déglinguée, Bérurier Noir, Camera Silens, Banlieue Rouge, Molodoï and seasoning it with funky riffs a la Red Hot Chili Peppers and the occasional traditional French folklore motifs, IDF clearly sounded quite distinct from much of their ideological brethren.
IDF were clearly looking to expand beyond their conservative and Nationalist base within the French right, proudly proclaiming to be neither left nor right and declaring solidarity and civic nationalism, addressing the representatives of the working class in their lyrics:
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Wir sind des wotans schwarzer haufen
Hei a ho ho!
Und wollen mit tyrannen raufen,
Hei a ho ho ho ho!
Spieß voran,
Drauf und dran,
Setzt aufs klosterdach den roten hahn!
Spieß voran,
Drauf und dran,
Setzt aufs kirchendach den roten hahn!
Uns führt der wilde reiter an,
Heia ho ho!
Ein sonnenrad in seiner fahn',
Heia ho ho ho ho!
Spieß voran,
Drauf und dran,
Setzt aufs klosterdach den roten hahn!
Spieß voran,
Drauf und dran,
Setzt aufs kirchendach den roten hahn!
Am kirchtor setzt' es brand und stank,
Heia ho ho!
So mancher über uns're klingen sprang,
Heia ho ho ho ho!
Spieß voran,
Drauf und dran,
Setzt aufs klosterdach den roten hahn!
Spieß voran,
Drauf und dran,
Setzt aufs kirchendach den roten hahn!
Oh vater thor, dich preisen wir,
Heia ho ho!
Wir bringen germaniens kampfe dir,
Heia ho ho ho ho!
Spieß voran,
Drauf und dran,
Setzt aufs klosterdach den roten hahn!
Spieß voran,
Drauf und dran,
Setzt aufs kirchendach den roten hahn!
Gib uns den sieg, im mondesschein,
Heia ho ho!
Wir schlagen alles kurz und klein,
Heia ho ho ho ho!
Spieß voran,
Drauf und dran,
Setzt aufs klosterdach den roten hahn!
Spieß voran,
Drauf und dran,
Setzt aufs kirchendach den roten hahn!
Zieh'n doch geschlagen wir nach haus',
Heia ho ho!
Die enkel fechten's besser aus,
Heia ho ho ho ho!
Spieß voran,
Drauf und dran,
Setzt aufs klosterdach den roten hahn!
Spieß voran,
Drauf und dran,
Setzt aufs kirchendach den roten hahn!
write a rap about making an elliot wave analysis of the price development of the euro in conparison with the us dollar, use shakespearean english
ChatGPT
Yo, gather 'round, I got a tale to unfold,
About Euro and Dollar, a story of old.
Using Elliot Wave, we'll analyze the scene,
Watch the currency battle, the rise and careen.
In fair Forex market, where these giants collide,
Euro and Dollar, side by side.
With Shakespearean flair, let's dive right in,
To see the waves dance, where profits begin.
First comes the wave of bullish delight,
As Euro strengthens, reaching great height.
A trend emerges, with grace and sway,
Investors rejoice, in this green display.
But alas, here comes the bearish wave's call,
Dollar fights back, standing tall and tall.
Elliot Wave whispers, a correction is near,
As Euro falters, doubts start to appear.
The second wave, a downward descent,
Fear and uncertainty, market sentiment.
Euro weakens, Dollar takes its turn,
With calculated moves, the bears start to earn.
But wait! A third wave crashes with might,
Euro rebels, seeks to regain its light.
Elliot Wave's rhythm, a pattern unfolds,
As Euro fights back, fierce and bold.
Fourth wave emerges, a moment to pause,
Consolidation sets in, market's own laws.
Investors ponder, strategize anew,
Evaluating risks, with caution they do.
Finally, the fifth wave, a climactic scene,
Euro makes its move, can it reign supreme?
The battle intensifies, each pip a fight,
Currency warriors dance, in market's twilight.
Oh, Elliot Wave, you guide our sight,
In this grand theater, where currencies ignite.
Euro and Dollar, forever entwined,
Their saga unfolds, in waves, we find.
So traders, heed the waves' melodic sway,
Study the charts, through night and day.
But remember, dear friends, in this currency quest,
Wisdom lies not in waves alone, but in how you invest.
